In/Site: Reflections on the Art of Place
In/Site: Reflections on the Art of Place is my blog devoted to art, architecture and urbanism, using Chicago as a vantage point for reflections on the work of contemporary artists, public art and urban projects that reinvent the spatial environment of the city. In/Site offers a quasi-geographical focus on the topic of art and urbanism, what cultural theorist Rosalyn Deutsche refers to as an “urban-aesthetic,” through essays and reviews that analyze how artists, as creative agents and critical thinkers, reimagine the physical and conceptual spaces that culture can occupy. The impetus for In/Site comes from the desire to retool my critical writing and to reengage with artists and ideas that are often absent from the mainstream art press. The title, while referring to various site-specific art practices, spins on the idea of site as a physical and geographic space, and on a vision of place (or insight) that is contextual and self-conscious.
This project is supported by the Creative Capital / Andy Warhol Foundation Arts Writers Grants Program.
Flag Art: Raising New Symbols of Belonging
As the end to a most trying year draws near, hopes for a fairer and more equitable future are weighted against the injustices of the present that attempt to erode the very foundations of our democracy. Even in the wake of the U.S. election’s positive outcome, conservative politicians and right-wing extremists, cloaked in the guise of patriotism, continue to exploit symbols of freedom, including the American flag, to bolster a dangerous authoritarian nationalism and commit atrocities against American citizens, immigrants, indigenous peoples, and Earth. Fraught with a myriad of conflicting meanings, the American flag is a symbol of both freedom…
Read MoreArt and Nature Parks: On Common Ground
Walking in the Eastern Woodlands of the Laumeier Sculpture Park in St. Louis, one discovers an open clearing in which lies a large concrete basin surrounded by a skeletal wooden structure all weathered by the forces of nature and time. The central pond-shaped form, cracked and empty save for a few fallen leaves, was once a swimming pool on a 20-acre estate uncovered by Laumeier staff when it acquired the land in the early 1980s. The trellised structure, a labyrinth of elevated walkways and gazebos, is an installation by artist Mary Miss who constructed the work in 1982-85 upon the…
Read MorePlanting the Future City
As I have mentioned many times here and throughout my critical practice, Rosalyn Deutsche’s book Evictions: Art and Spatial Politics has been an endless source of inspiration for me. Deutsche centers her discourse on public art in political reinventions of public space, looking to radical definitions of democracy and to analogies that equate cities with biological systems. Such analogies are even more prescient given our current pandemic that heightens the realities of the interconnectedness of humans, cities, and ecosystems and the social, economic, and environmental injustices that result when those links are destabilized. [Architecture critic Michael Kimmelman of The New…
Read MoreMapping the Waterways of Milwaukee with Mary Miss
The topography of the Upper Midwest is a patchwork of farms, prairies, flatlands, and large urban and industrial centers, diverse natural and built environments intimately tied to the Great Lakes and the region’s rivers. Within the current discourse on climate change, the impact of hurricanes and other environmental hazards upon coastal areas has somewhat overshadowed similar threats to inland communities and habitats. This year, excessive rainfall and swollen tributaries, many feeding into the Mississippi River, have devastated Midwest farmlands and river towns in what has been declared the Great Flood of 2019. Likewise, the waters of the Great Lakes are…
Read MoreFor the Birds: Reimagining the Future with Jenny Kendler
Chicago is part of the Mississippi Flyway zone, one of the largest bird migration corridors in North America. It follows the Mississippi River some 2,500 miles from its most northern point in Minnesota southwards to the Gulf of Mexico. According to the Audubon Society, more than 325 bird species use the Mississippi Flyway. Growing up in the Midwest, these migratory patterns always defined the seasons: dark flocks flew south for winter; warbling swarms returned each spring. However, their ebbs and flows have now faded from my view, partially obscured by the skyline of the city, but more critically because of…
Read MorePublic Encounters in St. Louis
What is a public? According to theorist Michael Warner, “a public is understood to be an ongoing space of encounter for discourse,” a self-defined social space of dialogic interactions and interplays. For Warner, a counterpublic is similarly discursive but assumes a “conflictual relation to the dominant public,” by creating its own audiences and idioms through alternative forms of address. (1) The idea of the “discursive public” forms the basis for Counterpublic, a new art triennial that reclaims the spatial environment of St. Louis as a body of distinct yet overlapping publics, each with their own cultural identity. Employing public art…
Read MoreTo Belong: Narratives on Citizenship and Migration
Loss takes many forms. Within the last two years, I lost both my parents and a sister. Their passings were followed by much personal grief, of course, as well as an existential rethinking about the meaning of absence and belonging. What binds us to place, to each other, to the larger world? And while loss is inherent to the cycles of life that define who we are as human beings, catastrophic loss – whether by violence, poverty, social oppression, climate change, or environmental disaster – plagues our political present, rupturing the ties that connect us to home and to the…
Read MoreOn Monuments
It has been less than a year since violent hatred erupted on August 12, 2017 at a white nationalist rally in Charlottesville, Virginia, fueled by the planned removal of a bronze statue of Robert E. Lee from a public park. This horrific event has become the locus for the fiery debate about the fate of Confederate monuments, one that reignited some two years earlier when a self-identified white supremacist murdered nine black parishioners in a church in Charleston, South Carolina, triggering a wave of fallen Confederate statues throughout the American South. Today, similar disputes embroil other kinds of controversial public…
Read MoreIn Search of a Future Present: The Chicago Architecture Biennial’s Make New History
In her preface to The Death and Life of Great American Cities, urban advocate Jane Jacobs directs the reader to “look closely at real cities.” “The scenes that illustrate this book are all about us,” she writes. “While you are looking, you might as well also listen, linger and think about what you see.” (Note 1) I was reminded of Jacobs’s words with each viewing of Make New History, the second installment of the Chicago Architecture Biennial (CAB), which just closed its nearly four-month run this January. However, the biennial’s premise that contemporary architecture look to its past and traditions…
Read MoreTo the River: More on the Art and Politics of Walking in the City
As I consider Chicago’s new Riverwalk, I am reminded of Bob Dylan’s oft-covered song “Watching the River Flow,” in which the song’s protagonist, lonely and alienated within an unidentified city, finds solace sitting along the sandy banks of an unidentified river. The song’s themes of inspiration and displacement, fostered by clashes between public and private, urban and nature, seem an appropriate metaphor for the inherent issues embedded within urban renewal projects that repurpose former industrial sites, including riverfronts, into green spaces. Related to my earlier post about New York’s High Line and Chicago’s 606 – urban revitalization initiatives that transform…
Read MoreArt and Ritual; Facebook and the Archive
A part of my morning ritual is to check in with Facebook. Each day I am greeted by a picture of a sunrise posted by artist Barbara Koenen, who photographs the sun ascending over Lake Michigan from her apartment window in Chicago. Using her smartphone, she then posts her images on Instagram and Facebook, where followers Like, Comment, and Share. I have followed Koenen’s sunrises daily since she initiated her project two years ago, and have come to find there is surprising variation in each dawn: a menacing horizon filled with metallic clouds one day gives way to a fiery…
Read MoreI Walk the Line: On the Art and Politics of Walking in the City
I walk a lot. I walk to get from one destination to another. I walk to clear a space in my head. I walk to connect to my neighborhood, to my city, and to those places less familiar. I have never been good at reading a map (or folding one), thus I often let my impressions and senses guide me, or when lost, ask others to point the way. There is a romance to walking, linked to our need to connect to nature and the physical environment, as well as our will to be alone. However, walking in the city…
Read MoreArt. Criticism. Now.
As I am confronted with this blank page after the disastrous results of the election, I must admit I feel lost as to what I am supposed to do next. I can tell you how I feel; like others, I feel angry, betrayed, confused, afraid, but thankfully not alone. But now even those sentiments feel overused. There is a familiarity to this, not unlike the early aftermath of 9/11, when many of us in the art world questioned the importance of what we do and asked ourselves what is art’s role in times of uncertainty and struggle. What we soon…
Read MoreThe Chicago Architecture Biennial 2.0: Axes and Praxes
The recent announcement of the new artistic team to lead the 2017 Chicago Architecture Biennial (CAB) has prompted me to consider some of the political dynamics at play and to share a few ideas about what I think the next installment of CAB could be. Sharon Johnston and Mark Lee of the Los Angeles-based firm Johnston Marklee are its Artistic Directors, following 2015’s Sarah Herda and Joseph Grima, with Todd Palmer, of Chicago’s National Public Housing Museum, as Executive Director. Johnston Marklee brings an insider’s perspective to the project both as a participant in the inaugural biennial and as practicing…
Read MoreTowards An Architectural Journalism
Alfredo Cramerotti’s book Aesthetic Journalism: How to Inform without Informing (2007) explores the relationship between contemporary art and documentary journalism, challenging established definitions of each. This blurring of the margins between art and journalism Cramerotti terms Aesthetic Journalism, a strain of contemporary art in which artists using the tools and methodologies of investigative journalism — archival and field research, interviewing, documentary and narrative storytelling, surveys, infographics and other display formats — offer alternative views of reality, political and otherwise, than those presented by mainstream media. The result of the artist’s research operates within an artistic context not the channels of…
Read MoreSome Reflections on the Chicago Architecture Biennial
The Chicago Architecture Biennial (CAB), the city’s first international survey of contemporary architecture, has come to a close. Writing this as a postscript, I am uncertain about what the impact of CAB is or what it really means; thus what follows are some reflections on those projects and issues that, in retrospect, still resonant with me. No doubt it was a coup for the city’s tourism and institutional players. According to press materials just released by CAB organizers, over a half-million visitors attended the biennial across its various sites, the main hub being the Chicago Cultural Center. Entitled The State…
Read MorePainting as Urban Archeology
Although my critical practice has not been as deeply engaged with painting as other disciplines (albeit with some exceptions), I’ve been thinking a lot lately about its political potential outside of such lineages as History Painting (whether Delacroix or Kerry James Marshall) or the modern mural movement. Thus, I’ve been looking at painting projects that directly intervene into the contemporary social landscape – rather than represent it – performing an urban archeology that acts as a catalyst for change, while reinvesting the medium with political meaning. My interest came from the convergence of various projects I’ve recently discovered, rediscovered or…
Read MoreThe City Lost and Found
At a time when my own thoughts about what role art and artists play in meeting the challenges of contemporary urban life have been reawakened, the exhibition “City Lost & Found: Capturing New York, Chicago and Los Angeles, 1960-1980,” recently on view at the Art Institute of Chicago and now at the Princeton University Art Museum, seemed rather fortunate. This seminal piece of scholarship (curated by Katherine A. Bussard, Alison Fisher and Greg Foster-Rice) gathered images and documentary materials by artists, journalists, filmmakers, architects, and urban planners that together showed the convergence of creative ideas and urban practices that sought…
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