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Selected articles by Susan Snodgrass.

Jan Tichy: Light Source

At the core of Jan Tichy’s multimedia practice is an investigation of the protean and plastic properties of light, an exploration grounded in the history of photography and by extension film and video. For Tichy, light is a medium of infinite possibility and a means for making visible the hidden histories of his chosen sites, whether a traditional gallery, a public housing complex, or a museum collection.

Cauleen Smith

San Diego filmmaker Cauleen Smith began her artistic journey into the life and legacy of experimental jazz musician Sun Ra during a 2010 residency at Threewalls, and the odyssey recently culminated in two powerful exhibitions (all work 2012) that pay homage to both her subject and Chicago, where Sun Ra lived from 1945 to 1961.

Dianna Frid

Dianna Frid constructs sculptures, artist’s books and wall-based assemblages that attempt to give new form to natural phenomena, whether earthly or celestial, concrete or ethereal, as suggested by the title of her recent solo exhibition “Evidence of the Material World.”

Ostalgia at the New Museum

Shunning distinct geographical, temporal, even thematic delineations, Ostalgia presents viewers with an idiosyncratic and intentionally fragmentary portrait, or rather series of portraits, of life under socialist domination. At its heart is the role of the artist – and art –within and in response to this political condition, a position of both resistance and preservation.

Dan Gunn

Dan Gunn’s hybrid constructions, whether freestanding or wall-mounted, retain their indebtedness to the history of abstract painting at the same time that they embrace other mediums and disciplines, including sculpture and design.

Uta Barth

In her new series, “ . . . and to draw a bright white line with light” (2011), created specifically for her show at the Art Institute of Chicago, Uta Barth continues her exploration of the nature of seeing, offering atmospheric tableaux that challenge our perceptions of the physical world.

Mary Miss Goes with the Flow

Pioneering public artist Mary Miss unveiled FLOW: Can You See the River? in Indianapolis, the first in the artist’s City as Living Laboratory (CaLL) series of projects that combine art and environmentalism to raise public awareness about issues of sustainability

Yael Bartana at the Gene Siskel Film Center

Yael Bartana infuses all her works with tensions and contradictions, blending fact and fiction, past and present to question cultural definitions of nationhood and identity. These issues play out in an epic style that draws from traditional documentary, socialist-realist propaganda and the artist’s self-scripted narratives.

Ben Stone

Claes Oldenburg’s statement “I am for an art that imitates the human, that is comic . . . or violent, or whatever is necessary” can readily be applied to the art of Ben Stone, whose six recent works explore pathos in contemporary American life, particularly as manifested by tragi-comic characters in his native Chicago.

Jitish Kallat

Public Notice 3, a text-based installation conceived for the Grand Staircase of the Art Institute of Chicago by Jitish Kallat, is truly monumental in aim. The site-specific work engages the historical and cultural conditions of its locale, connecting past and present in a powerful statement about religious tolerance and fanaticism.

Christine Tarkowski

Christine Tarkowski set out to construct her own system of belief in “Last Things Will Be First and First Things Will Be Last,” the 42-year-old’s largest, most ambitious exhibition to date.