Chris Larson: The Residue of Labor
Shunning mere esthetic representations of industrial ruin, the strength of Chris Larson’s project is the artist’s deep engagement with the material conditions of the factory itself—from its textile remnants to its architecture to its deserted machinery—and with the residual traces of human labor that such objects bear.
Anne Wilson: a hand well trained
Throughout her prodigious work, Anne Wilson employs human hair and found cloth (damask fabrics, table linens, family heirlooms, remnants of clothing), as stand-ins for the body and as fragments of memory imbued with their own personal and collective histories.
Karen Reimer: Shoretime, Spaceline
In her installation Shoretime Spaceline (2016), Karen Reimer distorts our perceptions of space and time: the sky becomes the sea, the sea becomes the sky, the present and past combine.